a prank

i heard of the city warden who arranged
all the files in the station computer
based on dante’s nine circles of hell.
it was back in the day when computers
were rare and overlooked harbingers
of what was yet to come. imagine his
successor’s bewilderment at the sight
of the latin names left by the prankster.

but was he really one or was he rather
a visionary?

the tank man verse

remember, remember
the june fourth and the embers
who stood against bullets and tanks.
i know of no reason
why the country turned prison
should ever have this forgotten!

they cried out for freedom,
but the communists, who enslaved ‘em
brought death and oblivion instead.
and the dollars of silence
for the business compliance
that are covered in innocent blood.

so remember, remember
next june fourth bring an ember
to the square wherever you live.
maybe then, like this end,
our almighty percent
stops flirting with the red regime.

*** [sometimes i think of my foreign language]

sometimes i think of my foreign language
teachers. i doubt they remember me. i certainly
forgot the cyrillic alphabet, the latin declension,
the scribble on the margins of the hellenike glotta,
the tricky pronunciation of streichholzschächtelchen,
and the mockery of the poor monsieur jourdain’s trill.

sometimes i think of my foreign language
as passing.

a poet. anonymous

hi, my name is… bleak and i am
a poet. anonymous as i would be
if i were handing down a word
from an auctor that i have found
myself attached to, somehow
forgotten, a long time gone,
i am regaining that first person
singular i was supposed to be,
the once abandoned punctuation,
and the disorderly grammar
of everyday expectations.

perhaps i am still a bit afraid
of capital letters. the odd burden
of solemnity attached to them
neither blends with absurdity
of the rituals around closing doors,
nor does it soothe all yearnings
for a little peace of belonging.
but in the scheme of things,
if what actually matters here
is essence over appearance,
i may still have a word to say.

*** [untitled twenty]

innocent of thought cruelties
the poet examined the truth
conditions of the utterance
questioning his intentions
towards the late mr nothing
as if there was a post-mortem
carried out by a grammarian
that might have cast a shadow
of blame on him as a creator

but it was actually mr nothing
who noticed the first signs
of weariness with the role
he played in the poet’s life
the questionable repayment
of his younger self’s debts
who had to be abandoned
after all he was just a play
on words never invented