One of the myriad

Writing poetry has always been a peculiar occupation,
even more so now, in the Age of Imagination,
when it has turned from the spiritual torment of a few under patrician patronage
to a thankless endeavour pursued by the faceless myriad, hardly ever paid for,
even in that cheap currency called likes, driven by some obscure algorithm
that decides whether and to whom to show your stanzas.

What I’m actually trying to say is that I’m a pathetic third-rater,
feeling sorry for myself because no one reads me
—except you, of course.