farewell

lapped with gusts of wind, the longing sound
of violins sinks into the rapids of pavement,
flooding the rainy day with pachelbel’s canon.
i look less and less at an emaciated calendar
with a handful of pages left to be torn off,
the last leaves on the tattered birch tree
outside the window, with no hope nestling
into the granite.

inappropriate questions

every time i die, word by word, breaking through
the stanzas, i reveal my anointed embarrassment
resting on the paper catafalque. every little slip,
every scratch and bruise, every fleeting glimpse
caught when least expected, every yes and no
carefully extracted from the rattle of my old
smith-corona lies in front of you. but remember,
you do not read my journal, so stop asking if this
or that really happened. would you ask stephen king
if he killed all these people?

the toll of the night

you do not have to be particularly unhappy;
sometimes all you need is to not be happy
enough. then you get your gaiety booster
prescribed by a man in white, and you wonder
a week later how on earth you woke up
on this uncomfortable bed with your arm
connected to a drip, the sound of wheeze
coming from the bed on the right and moaning
from the other side. and when will the bell
of a nearby cathedral toll another hour
until the next inevitable examination
of your subjection?

the abrupt finality of the present

my watch stopped a long time ago.
at first, i thought it only paused
for a moment. but after a while,
i realised it was over, even despite
my pathetic attempts at resuscitation.
the only thing left was to take care
of its wretched remains. nothing,
not even the ultimate clockwork,
lasts forever. if only i could stop
pretending to be a watchmaker
who caught the time.