Do you remember that feeling
when you finally find out what the melody is
that has been haunting you for months,
after you’ve heard it just once by chance,
only to be played all of a sudden
by the violas and cellos—an ostinato
carved into the black vinyl—as a farewell
to the kind of reserved innocence
you often only begin to savour
when it’s already too late? I do.
If only you had realised then
that you could survive on a single act
of desperation.
Whether I listen to the clatter of a typewriter or the crackle of sparks
in the fireplace, my voice remains feeble because, in a way, I’m still a child,
for there are things in old books I haven’t learnt and likely never will,
convinced that what’s left is to talk to myself—and even that out of habit
rather than necessity—while sitting in a dark room with the curtains drawn,
staring at a volume of Cavafy and a cup of cold redbush tea, wondering
why I am sad when children were supposed to be carefree, innocent
creatures of forgive and forget.
hidden pilcrow 