Perhaps we learn by constant repetition, but even when my nose bleeds, it is nothing
but watered-down ink dripping onto a creaky wooden floor covered with a cheap rug
pretending to be tapis polonais. One glance at Buster Keaton’s face, like a bookmark
marking scenes with bygone meanings, and I already know that there is no comfort
in the last feeling I want to experience.
hidden pilcrow 