Manhattan calls Esenwein

With a touch of disbelief,
Mr Honk listened
to a Gershwin-in-black-and-white,
a fidgeted-with idiosyncrasy
spiced up with corduroy—
the poor man’s velvet—
on the presenescent
intellectual’s back.

So there it was: incident,
emotion, crisis, suspense, climax,
dénouement, and conclusion,
all in the first four minutes.

No wonder the rest of the film
turned soporific.


More words to ponder at maciejmodzelewski.com