The legacy

qui dolorem ipsum, quia dolor sit
De finibus bonorum et malorum, Marcus Tullius Cicero

How can I not pity
the old beggar Cicero
for his most read text
being Lorem ipsum?

But I guess that suffices
for an indifficile reader
content with the life
of a tourist—myself.


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A whistler

Mr Honk never understood
the look of bewilderment on people’s faces
when he whistled Christmas carols
in July, as if he were singing commercials
at a funeral. And it wasn’t that he was trying
to convey some profound message—
he simply enjoyed the cheerful tune,
as only an infidel could.


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Bag of wind

Is it a matter of writing implements that we write more
to say less, or—with the power of large numbers in play—
do we have to face the truth that we have always been
the blabbering sort, only back then largely confined
to a tavern and a church porch?


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Rien que des plumes

With a vague idea of the age of winnocence,
Mr Honk stumbled upon the most delightful insult:
strange creatures with a few feathers
where brains should be—and it only took it a century
to reach his bookshelf.


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Dreamers

Tread softly because you tread on my dreams.
He wishes for the Cloths of Heaven, W.B. Yeats

Would unfinished business be better
than no business at all?
I’d say that’s a question whose answer might lie
somewhere in one of Landor’s six volumes
of ‘Imaginary Conversations’
or in a chance exchange in the lobby.
But if you appreciate—
that’s the crucial part—
a glass of water and a self-portrait
by Giuseppe Arcimboldo
and aren’t embarrassed to shed a tear
while watching a film about books
with the future Dr Lecter reading Yeats,
you might already share
the sentiment.


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Semantic noise

They said he wasn’t an alcoholic—
just an ordinary drunkard,
as if the distinction much differed
from the one between a lover’s quarrel
and the early morning banter
of seagulls.


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Homo humanus

With the abundance of days,
a true existence is never far
for an honest person—

only twenty years away
or a page

if you’re lucky.

But as a piano teacher is not a pianist—
let alone a composer,
especially if their instrument,
crammed into the corner of the room,
is reduced to a mere flowerpot stand—

a man is only as humane.


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The memory alley

How can I remember my future
when my past has been gravely misspelt—
with all the hasty gerunds
and coarse-grained adjectives
serving no purpose
other than ornament—
and even rain has lost its subsumption
in such an unconceivable milieu,
so that when I entertain the idea
of using the vested Pooterish umbrella,
I always have to consider the wistfulness
of the draught?


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