mourning the death of ivan ilyich tore them
asunder when the poet noticed yawning
he stepped back from the mahogany lectern
on which someone scratched pedicabo ego
and causing a moment of consternation
among the traders of brevis in longo
he pulled his face off with mr nothing mask
*** [untitled seven]
aware of his grammatical inadequacy
mr nothing considered the differences
between the simple past and the present
perfect tenses as overused by the poet
preterite somehow could not capture
the consequences of his past actions
armed with a dictionary still unsure
how to face the old memory of kirrha
not to mention the endless ringing
phones in the pockets on mount meron
he listened to the bells of the cathedral
and added matzos do the shopping list
*** [untitled six]
with no one to blame
to bear a grudge against
for all the things that
could not have happened
in a slightly different order
of personal pronouns
mr nothing took a picture
of the full moon marked
with blooming phlox
and some onlookers
holding their umbrellas
they both knew the ordeal
of nocturnal vigilance
in the trial by cloudburst
it was a story like many
typed for the innocents
with a questionable purpose
if only the poet stopped
laughing before he decided
between a stolen remington
and a smith-corona
found at a flea market
*** [untitled five]
mr nothing never thought about anything
useful words like scrumptious or innocuous
and caressing on the tip of his tong slipped
their social obligations once freed from
the trammels of heathen grammar rules
he tried to hide his seams from the poet
rarely questioning if things need meaning
to have a purpose and just out of interest
in a hollow subject learning injunctions
his impunity was assumed as a birthright
*** [untitled four]
exploring the anatomy
of timeless classics
in smooth leather covers
with headbands made
of mercerised cotton
mr nothing found a sketch
of himself and the poet
sitting on the floor
between the shelves
drawing some daubs
on the pages of books
it used to be a place
for recalcitrant siblings
mastering the art
of emphatic period
with a few premises
and a bowl of porridge
they no longer read
anything but notes
on flaps of the dust
jacket of russian realists
and the stock leaflet
*** [untitled three]
the year the greek derivative
locked the doors marked
the windows with colours
wandering on derelict streets
pebbled with stones
and the cry of seagulls
mr nothing realised one
more of a curse likely being
called names or spat upon
he forbade the poet a word
about the theognidean corpus
in the covers of don juan
as if encomia to larcenists
kept his desires hidden
in a genderless language
there were no suffixes
to betray him in public
only the consequences
*** [untitled two]
every time a fever made him worry
about gardening mr nothing thought of the poet
with his treats of personal chastisement
eerily aloof he watched himself drowning
in the passage of time measured with a litter
of hardly collectible paper ephemera
as pointing to never read lines of montaigne
made him realize his desperate longing
for the unfinished in times of duress
*** [untitled one]
mr nothing lived a solitary life
spiced with a dose of word
supplements taken from a speechless jar
and a daily granite mile that avoids
infected armrests and door handles
sometimes the poet called him
with an adage or a dirge sometimes
there was only the flutter
of the turning pages
there was no wind though
*** [after the rain]
after the rain an umbrella become a burden
bare foot standing in the water
running slowly down the folded surface
mr nothing was holding on
to the intricately curved wooden handle
and words that lack a person people
with mispronounced affixes he forgot
the poet left him typewritten
on a stolen remington
every letter stopped halfway