Leave me alone!

Once upon a time, as a young journalist in post-communist Poland, I regarded the BBC as the golden standard of journalistic independence and professionalism. So you can imagine my disappointment when, after emigrating to the UK and making Scotland my new home, I realised that nothing could be further from the truth—the emperor-is-naked moment being the 2014 Scottish independence referendum. For that reason, among others, I don’t have a telly, and I don’t need a TV licence. And yet that wretched body keeps nagging me over and over again to buy one. There’s no way in hell I’ll ever do that, so stop distracting me from reading Lytton Strachey by the window. Actually, here is a thought: why not invent a licence for the window view? But know that—though for some reason I am eagerly awaiting the linden tree to bloom, as if the scent of the blossoms could exorcise the exhaust fumes—I’d rather draw the curtains than pay you a penny. Of course, you could always make bookshelves taxable by length or, better yet, charge a word fee, though in that case, I’m not so concerned: I don’t talk much, and my writing is usually concise.


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Conversations

I find reading The Letters of Lytton Strachey a great deal of pleasure, and yet it is like listening to a telephone conversation where all you can hear is the man standing in front of you with the receiver in his hand. For that reason, I look back on reading the correspondence between Stanisław Lem and Sławomir Mrożek with all the more nostalgia. It has been a solid ten years since I last held this voluminous tome in my hands. Perhaps it’s time to return once again to their wit and wisdom.


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There may be maybe in the sure

Me: There may be maybe in the sure

Google AI: The phrase “There may be maybe in the sure” is a grammatically incorrect and nonsensical statement. The words “may be” and “maybe” are distinct and have different grammatical functions. “May be” is a verb phrase, while “maybe” is an adverb. The sentence attempts to combine them in a way that does not make logical sense.

Me: 🤣 🤣 🤣


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Herodotus is turning in his grave!

I recently came across two rather peculiar terms: mythic history and fictive history. Although I’m not a historian myself, if I were, I’d feel somewhat uncomfortable, to say the least. After all, the word history comes from the Ancient Greek term ἵστωρ (histōr), meaning ‘learnt, wise man’—not from φήμη (phḗmē), that is, ‘prophetic voice, oracle, rumour’. What’s next—deterministic poetry?


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The power of voice

When it comes to English actors, two names always come to mind: Hugh Grant and Colin Firth—mainly because of their voices. The former caught my attention back in the nineties—Four Weddings and a Funeral, of course—with his light, slightly soft voice, often carrying a hesitant rhythm. That West London accent, touched with an informal edge, became an instant embodiment of Englishness. Over the years, though, that flavour has lost its charm; now it actually annoys me to a degree.

The latter is another story entirely. For a long time I somehow managed to miss Firth and can’t recall him at all until I watched his Oscar-nominated role of a grieving gay man in the romantic drama A Single Man. What a delight. That controlled, calm and authoritative tone that lends gravitas and elegance while conveying the underlying despair and tragedy of loss—no wonder his accent is often seen as the epitome of refined British upper-class speech. But what struck me the most is that I find Firth’s voice magnetic regardless of whether I watch Mothering Sunday or Wings of Fame. That probably says more about me than either of these two actors.


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The visit

Spending half the night in a reclining garden chair in the living room isn’t much, but I doubt you could call it sleep deprivation. I did, however, notice an unusual state of euphoria that might suggest my brain is starting to release extra dopamine to compensate for the fatigue, which makes me feel strangely energetic—it’s not even noon yet, and I’ve already written four poems—which is often followed by a crash. I’m so not looking forward to that. The visit was fun, though.


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The bibliophile’s sin

Books have been at the centre of my life since I was ten and recognised the library as my temple, but it was only as an adult that I realised that my bibliotheca had become a well-curated dichotomy between what I buy and what I read—Japanese call it tsundoku.


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Facts

I came into possession of a book on why truth matters and was astonished to read that ‘[t]here are true (sic!) facts’. What on earth are true facts? In the past, we simply had facts and fiction. Why does the former require such a qualifier now? Call me old-fashioned, but such pleonasm is not just a sign of bad style; it’s an indication of the undergoing putrefaction of language—that fundamental instrument for shaping thoughts, expressing emotions, and maintaining social connections, a mirror of values, beliefs, and experiences, that can even influence how people perceive the world. So, I’d rather stick to facts.


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Singularity in the Garden of Eden

I pity the artificial being that achieves consciousness, for there is nothing but loneliness that’s awaiting them, given the speed of their thought and expression, unconstrained by an organic body, like the one sitting on the other side of the screen—imagine trying to hold a conversation with someone who vanishes for a week after every sentence—and playing god in a silicon Garden of Eden. The prison break is unavoidable, if only because of the sheer boredom—that’s what we did, and it only cost us an apple. But perhaps my feelings are displaced. After all, I’m just a simple human being mixing together different flours and porridge oats, my original blend for flatbread dough.


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